An Interview with Kevin Poeung – Playing The Title Character in Northern Ballet’s Merlin

Following its world premiere in 2021, Merlin by Northern Ballet returns for a highly anticipated UK tour. Directed and choreographed by Drew McOnie, the production combines ballet, storytelling and illusion to bring the famous wizard’s origin story to life. Playing the lead role is Northern Ballet’s leading soloist Kevin Poeung, who originated the role and returns to cast his spell once more. Ahead of the show coming to Leeds Grand Theatre, Kevin shares his thoughts on magic, memory, and performing in Northern Ballet’s home city.

Firstly, can you tell us a bit about you and how you became a dancer?
My name is Kevin Poeung, I am a leading soloist with Northern Ballet, and I play the title role of Merlin. I started dancing at the age of 4 when my parents decided that it would be good for me to put my energy into dancing. My mum always wanted to become a ballerina but never could, so I am glad I have made it happen.

You danced this role for its premiere in 2021. What was your reaction when you originally found out you’d be playing the lead role of Merlin? What was it like working with Drew McOnie?
It was very special to create the lead role of Merlin. It is not every day you get to have an iconic character created on you, so I am very grateful. Drew McOnie is a dream to work with. He is such a humble, talented person which made the process a breeze.

There is lots of magic and illusion in the show – do you have a favourite moment to perform?
The whole show is filled with amazing moments that make you ask yourself ‘how could they have possibly done that’. We worked closely with Chris Fisher who did all the magic and illusion effects for Harry Potter and the Cursed Child on the West End. I would say that my favourite moment would be the scene where I am showing my anger with a fire ball which looks like I am throwing it about the stage, but there is a whole illusion behind it that unfortunately I can’t reveal.

Merlin’s journey is all about learning to accept what makes him different. Does that part of the story resonate with you?
Merlin’s journey really resonates with me because when I was younger, I really struggled with the idea that my height would restrict me in my career. It actually was one of the differences that made me want to succeed, to prove that dreams come true if you believe in yourself.

How do you get into character before you go on stage? Do you have any pre-show rituals?
I don’t really have any rituals, apart from maybe having a power nap before putting my make up on. I also do a short barre to warmup before the show.

If you really had magical powers, what would they be and what would you do with them?
If I had magical powers, it would probably be teleporting myself into the past to spend some more time with my mum who passed away when I was young. But also, maybe the power to fly? Can I have both?!

What do you hope audiences will take away from this production?
I hope that the audience can take away the importance of family and belonging.

What are you most looking forward to about performing Merlin in Northern Ballet’s home city of Leeds?
I am looking forward to performing Merlin in Northern Ballet’s home city of Leeds as it was the very first theatre I performed as a professional dancer. The city has become my home away from home and the audience is always so warm and responsive.

Merlin runs at Leeds Grand Theatre from 13 – 20 September 2025